I've always considered cinema the most efficient tool to explore thoughts, understand feelings, and especially, comprehend an environment. For this reason, the distance between the individual and the human and urban landscape that surrounds him/her is a recurrent subject in my filmography: from my first shortfilm NOMAD, produced by ESCAC Films, the short documentary BIKESPOTTING, shot in Wuhan (China), till my last work ON THE QUAYSIDE, shot in Copenhagen with an international crew.